Concerts pour 1 spectateur en transat
"Concerts/Voyages/Soins" en immersion sonore"
pour 1 à 2 spectateurs par NANO Méthivier
Cabinet musical itinérant ouvert depuis le 12 mai 2020
au Lazaret Ollandini sur rendez-vous
Quartier Aspretto - Ajaccio
Cabinet Musical, NANO Méthivier (Compositeur - musicien)
Plus qu'un concert, il s'agit d'une immersion sonore personnalisée dans un environnement choisi avec le patient, avec de la musique qui bouge. Il peut se faire avec 1 un musicien ou plus.(le "patient" ne voit pas le musicien, et l'intimité de la personne est conservée)
Contact et réservations : 06 17 38 40 00
MUSIQUE ORIGINALE INDIVIDUALISÉE
Séances de 30 minutes
A partir de 20€
Respect des règles sanitaires.
TTT Telerama newspaper
The epic bellows
Forget the clichés on the piano with straps: He reinvents it by mixing all the styles.
"... And then, appearing out of nowhere, a majestic roar, a gasp with a metallic breath, between fog horn and raging train, bangs you in the guts, twists your temples. It's the Nano accordion. A multifaceted accordion, capable of evoking Ennio Morricone as well as Deep Purple, Astor Piazzola and Brian Eno. Forget the snapshots franchouillards, waltz musette, Tour de France, turn youth and friendly taverns. Nano has reinvented the instrument. From this armada of pearly buttons linked to an undulating belly, he gave birth to a hybrid monster as comfortable in electro as in rock, classical or jazz, tango or waltz, but well better than that: an indefinable mix of styles and rhythms, colors and atmospheres, guttural chants and high sighs, words and onomatopoeias. As he says: "I don't know where to be. Sometimes I feel like I'm doing theater or cinema rather than music. I offer people an uninterrupted trip, totally improvised. I want to take them elsewhere, in a hard-to-reach place, where you rarely go: deep down. ""
TTT Télémara newspaper
The epic bellows
Forget the clichés on the piano with straps: He reinvents it by mixing all the styles.
"... And then, appearing out of nowhere, a majestic roar, a gasp with a metallic breath, between fog horn and raging train, bangs you in the guts, twists your temples. It's the Nano accordion. A multifaceted accordion, capable of evoking Ennio Morricone as well as Deep Purple, Astor Piazzola and Brian Eno. Forget the snapshots franchouillards, waltz musette, Tour de France, turn youth and friendly taverns. Nano has reinvented the instrument. From this armada of pearly buttons linked to an undulating belly, he gave birth to a hybrid monster as comfortable in electro as in rock, classical or jazz, tango or waltz, but well better than that: an indefinable mix of styles and rhythms, colors and atmospheres, guttural chants and high sighs, words and onomatopoeias. As he says: "I don't know where to be. Sometimes I feel like I'm doing theater or cinema rather than music. I offer people an uninterrupted trip, totally improvised. I want to take them elsewhere, in a hard-to-reach place, where you rarely go: deep down. ""
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